Every Dudley Moore Movie, Ranked From Best to Worst by Fans

Dudley Moore is one of those performers who could wander into a scene, raise an eyebrow, and suddenly the whole movie got funnier.
From lovably tipsy millionaires to hapless romantics making deals with the devil, his film career is packed with fan-favorite roles that still hold up decades later.
In this guide, we’re ranking every major Dudley Moore movie from best to worst by fans, taking into account audience rankings, user scores, and fan-voted lists across the web.

How We Ranked Dudley Moore’s Movies

To build this ranking, we pulled together:

• Fan-voted lists (like large online polls and ranking sites)
• User ratings on major movie databases and review aggregators
• Audience reception over time (cult favorites, rewatch value, holiday staples)

We focused on major feature films and widely available TV/voice projects where Dudley Moore has a substantial role.
Tiny cameos, obscure shorts, and purely TV variety appearances aren’t included. When fans clearly prefer one title over another, we respected that – even when critics disagreed.

Every Dudley Moore Movie Ranked From Best to Worst by Fans

1. Arthur (1981)

If you ask fans to name the definitive Dudley Moore movie, Arthur almost always lands at the top.
Moore plays Arthur Bach, a perpetually drunk, impossibly rich Manhattan playboy who laughs his way through life until he falls for Linda (Liza Minnelli), a working-class waitress who doesn’t care about his money.
His chemistry with Minnelli is terrific, but it’s his interplay with John Gielgud’s acid-tongued valet Hobson that people still quote today.

Fans love Arthur for its mix of sharp one-liners and surprisingly sincere emotion.
Under all the jokes about booze and bad decisions, there’s a real story about growing up and choosing love over comfort.
Throw in an iconic theme song and a New York setting that screams late-’70s/early-’80s glam, and it’s no surprise this sits at #1.

2. 10 (1979)

Romantic midlife crisis, but make it funny. In 10, Moore plays George Webber, a successful songwriter who spots the “perfect 10” (Bo Derek) on her wedding day and spirals into a hilarious, painfully relatable meltdown.
Fans adore how Moore leans into George’s neurotic flaws without ever losing his charm.

The movie became a touchstone for late-’70s romantic comedy: the famous beach scenes, the cornrowed Bo Derek, and Moore tumbling through slapstick situations while grappling with aging, desire, and commitment.
Viewers still respond to how honest it feels about insecuritywrapped in plenty of physical comedy and awkward bedroom gags.

3. Foul Play (1978)

Technically, Foul Play is a Goldie Hawn/Chevy Chase thriller-comedy, but Dudley Moore walks off with every scene he’s in as the relentlessly randy Stanley Tibbets.
His role is supporting, yet fans consistently push this film high in Moore rankings because it’s such a perfect showcase of his “chaotic but lovable” energy.

The movie mixes Hitchcock-style conspiracy with screwball comedy, and Moore’s character feels like an unpredictable bonus feature every time he shows up.
If you want a snapshot of Moore at his most unfiltered and mischievous, Foul Play is essential viewing.

4. Bedazzled (1967)

Before Hollywood moguls and Manhattan penthouses, there was the darkly clever British comedy Bedazzled, co-starring Moore with his long-time partner in crime Peter Cook.
Moore plays Stanley Moon, a shy, lovestruck fry cook who sells his soul to the devil (Cook) for seven wishes – all of which, of course, go hilariously wrong.

Fans of British comedy treasure this film for its dry wit, surreal sketches, and clever twist on the Faust legend.
Moore plays the straight man to Cook’s diabolically sarcastic Satan, and the two bounce off each other with effortless timing.
For viewers who discovered him later in Arthur, going back to Bedazzled feels like finding the “origin story” of his big-screen persona.

5. Crazy People (1990)

In Crazy People, Moore is Emory Leeson, an exhausted ad executive who has a breakdown and starts writing brutally honest slogans like “Volvo: They’re boxy, but they’re good.”
He gets sent to a psychiatric hospital, where his new friends help him create ads that miraculously connect with the public.

Fans love this one as a cult gem: it skewers advertising, celebrates outsiders, and gives Moore a chance to be both vulnerable and wickedly funny.
It’s not as slick as Arthur or 10, but for viewers who enjoy offbeat ’90s comedies, this is a go-to recommendation.

6. Micki & Maude (1984)

Bigamy, but charming? Only in a Dudley Moore movie.
In Micki & Maude, Moore plays Rob, a workaholic TV reporter who loves his wife Micki… and then falls for cellist Maude.
When both women become pregnant at the same time, Rob tries to juggle two households, two pregnancies, and approximately two million lies.

Fans appreciate the farce, the physical comedy, and Moore’s ability to keep Rob just likable enough that you’re laughing with him instead of simply judging him.
It’s very much an ’80s concept, but the timing, performances, and Blake Edwards’ direction keep it breezy and fun.

7. Like Father Like Son (1987)

Teen body-swap comedies are an ’80s subgenre all their own, and Like Father Like Son is one of the fan-favorite entries.
Moore plays a driven surgeon whose soul swaps with his teenage son (Kirk Cameron) after a mystical Native American potion mishap.
Hijinks, obviously, follow.

Fans who grew up renting this on VHS have a lot of nostalgic affection for it.
Watching Moore play a “teen” trapped in an adult body – slouching, talking back, and checking out girls – is pure comedic fuel.
It’s silly, but that’s exactly why people revisit it.

8. Santa Claus: The Movie (1985)

For ’80s kids, Dudley Moore will forever be Patch the elf – an overly ambitious toy-maker whose well-meaning inventions go wrong and nearly ruin Christmas.
Santa Claus: The Movie is a glossy, sentimental holiday fantasy that has become a seasonal staple in many homes.

Fans enjoy the lush production design, the earnest Santa mythology, and Moore’s performance as the clumsy but big-hearted Patch.
Even if critics were lukewarm, the movie lives on as comfort viewing, often discovered on cable or family movie nights.

9. The Wrong Box (1966)

Before his Hollywood breakout, Moore appeared in this delightfully morbid British farce featuring an all-star cast including Michael Caine and Peter Sellers.
The plot revolves around a Victorian “tontine” (a sort of last-man-standing inheritance scheme) that inspires increasingly absurd murder attempts.

Fans of vintage British humor rank The Wrong Box highly for its dry wit and stacked ensemble.
Moore isn’t yet the headliner he would become, but it’s a fascinating early look at his comic instincts.

10. The Adventures of Milo and Otis (1986, English version 1989)

Technically a Japanese animal adventure, this film became a fan favorite in English-speaking countries thanks to Dudley Moore’s cozy narration.
He voices the adventures of Milo the cat and Otis the pug with warmth, whimsy, and just enough silliness to keep kids and adults engaged.

Fans who grew up on this movie often mention Moore’s voice as a big part of its charm.
While he’s never on screen, his storytelling presence is so strong that many viewers consider it a core part of his film legacy.

11. Unfaithfully Yours (1984)

A remake of a 1948 classic, Unfaithfully Yours casts Moore as a conductor who imagines elaborate revenge scenarios after suspecting his wife (Nastassja Kinski) of cheating.
Each fantasy plays out in his head with operatic flair before reality, of course, goes completely sideways.

Fans appreciate the film’s blend of slapstick and sophisticated setup.
It might not be as widely known as Arthur, but for Dudley Moore devotees, it’s an underrated entry with some of his best “physical disaster” sequences.

12. Wholly Moses! (1980)

Clearly inspired by the success of irreverent Bible comedies, Wholly Moses! puts Moore in a dual role as a meek Hebrew man and his more heroic counterpart.
The movie pokes fun at epic religious spectacles while letting Moore riff with co-stars like Richard Pryor.

Fans are split on this one – it’s a cult favorite for some and a shrug for others.
But those who enjoy it like the offbeat tone and Moore’s willingness to look ridiculous in a toga.

13. Romantic Comedy (1983)

Opposites attract, and then argue about structure.
In Romantic Comedy, Moore plays a neurotic playwright opposite Mary Steenburgen’s more grounded collaborator.
Their on-again, off-again partnership spans years of professional success, missed chances, and unresolved feelings.

Fans who enjoy quieter, character-driven stories rank this higher than the average critic.
The movie leans heavily on dialogue and chemistry, giving Moore more room for nuanced, less slapstick performance.

14. Six Weeks (1982)

Bring tissues. Six Weeks is one of Moore’s most sentimental roles, playing a politician who befriends a talented young girl with leukemia and her mother (Mary Tyler Moore).
It’s a drama with some lighthearted moments, but it’s primarily remembered for its emotional punch.

Fans who connect with this film often praise Moore’s gentler, more restrained work.
It shows he could do pathos as convincingly as pratfalls.

15. Those Daring Young Men in Their Jaunty Jalopies (1969)

Also known as Monte Carlo or Bust!, this ensemble racing comedy features Moore among a large international cast.
Fans of big, sprawling caper comedies place it squarely in the “fun Sunday afternoon watch” categoryhardly essential, but enjoyable.

16. Lovesick (1983)

In Lovesick, Moore plays a psychiatrist who falls for a patient and starts receiving advice from the ghost of Sigmund Freud (played by Alec Guinness).
The concept is wild, and the fan response is mixed, but many appreciate the performances and odd charm, even if the story doesn’t fully land.

17. The Bed Sitting Room (1969)

A surreal post-apocalyptic comedy, this is one of the strangest projects in Moore’s filmography.
Fans of absurd British satire rank it higher than mainstream audiences; others find it too odd to fully embrace.
Either way, it’s a fascinating artifact from the late ’60s.

18. Alice’s Adventures in Wonderland (1972)

This lavish musical adaptation of Lewis Carroll features Moore as the famously sleepy Dormouse.
It’s not “his” movie, but fans of classic British fantasy films enjoy spotting him in the whimsical ensemble.

19. Blame It on the Bellboy (1992)

A case of mistaken identity run amok, Blame It on the Bellboy casts Moore as one of several travelers whose lives are scrambled by a bumbling hotel employee.
Fans tend to file this under “harmless but forgettable,” with a few loyal defenders who love its farcical energy.

20. 30 Is a Dangerous Age, Cynthia (1968)

Moore plays a struggling composer desperate to write a hit before his 30th birthday.
The movie blends romance, music, and self-deprecating humor, and while it has its fans, it’s mostly cherished by hardcore Moore completists rather than casual viewers.

21. Arthur 2: On the Rocks (1988)

Sequels to lightning-in-a-bottle comedies are tricky.
Arthur 2 brings Moore and Minnelli back, but this time Arthur faces financial ruin and more sobering realities.
Fans generally agree the heart and charm are still there, just not at the same dazzling level as the original.

22. Best Defense (1984)

Famously reworked mid-production to add Eddie Murphy, Best Defense is often cited by fans as one of Moore’s weakest vehicles.
The story, about a defense engineer and a tank commander, never fully clicks.
Still, completists and ’80s comedy buffs sometimes revisit it to watch two big comedy stars share (loosely connected) screen time.

23. The Hound of the Baskervilles (1978)

This broad, anything-goes spoof of Sherlock Holmes features Moore in multiple roles.
Fans of zany parody enjoy the sheer chaos, but many feel the jokes are hit-or-miss, which keeps it at the bottom of most Dudley Moore rankings.

Other Notable Appearances and Voice/Ensemble Work

Beyond the main fan-ranked features above, Dudley Moore also pops up in a handful of smaller or more niche projects that round out his movie legacy:

• The Pickle (1993) – A showbiz satire where Moore appears in a small role amid a large ensemble.
• The Disappearance of Kevin Johnson (1990s mockumentary) – A playful cameo as himself, reflecting his cultural status at the time.
• The Mighty Kong (1998) – An animated retelling of King Kong with Moore providing voice work late in his career.

These titles rarely rise in fan rankings, but they’re interesting footnotes for anyone exploring his full filmography.

Why Fans Still Love Dudley Moore’s Movies

Looking across his filmography, a few patterns explain why Dudley Moore’s movies remain fan favorites:

• He made flawed characters lovable. Arthur is a drunk, George in 10 is obsessive, and Emory in Crazy People is literally having a breakdown. Yet Moore always found the vulnerability and sweetness underneath the chaos.
• His timing was razor sharp. Whether trading deadpan barbs with Peter Cook or stumbling through slapstick set pieces, he knew exactly how long to hold a pause, a look, or a wobble.
• He blended music and comedy. As a trained pianist and composer, he brought musicality to his performances – not just in soundtracks, but in the rhythm of his delivery and movement.
• His movies capture their eras. The shaggy British ’60s, the glossy Hollywood ’80s, and the high-concept ’90s are all reflected in his roles, giving fans both nostalgia and cultural time capsules.

Fan Experiences: Watching Every Dudley Moore Movie Today

So what is it actually like to sit down and watch “every Dudley Moore movie, ranked from best to worst by fans” in 2025?
Think of it as a cinematic road trip: the early British side streets, the big Hollywood freeways, and a few bumpy back roads that you’re glad you drove once, even if you wouldn’t do it again.

Most modern viewers start with Arthur or 10.
Those two films are still relatively easy to find on streaming or digital rental, and they’re the clearest examples of Moore’s star power at its peak.
People often report the same pattern: they hit play expecting a lightweight vintage comedy and end up surprised by how emotionally grounded the stories are.
Arthur’s decision to choose love over money, or George’s panic about aging and relevance, feel just as current now as they did decades ago.

From there, fans usually branch out.
Maybe someone remembers Santa Claus: The Movie from childhood and rewatches it, suddenly realizing that the elf they loved as a kid is the same actor they just saw charming his way through Arthur.
Or they stumble onto Crazy People and discover a movie that feels weirdly ahead of its time in the way it mocks advertising spin and “brand honesty.”

Deep-cut fans often talk about the pleasure of chasing down the more obscure titles – the British satires, the oddball comedies, the smaller dramas.
Even when a movie doesn’t fully work, there’s almost always a moment where Moore shines: a perfectly delivered line, a subtle look across a room, or a bit of physical comedy that reminds you why he became a star.

One of the most fun ways to experience his filmography is to build a themed mini-marathon:

• “Rich Men Behaving Badly” Night: Arthur, 10, and Micki & Maude – all about money, desire, and spectacularly poor life choices.
• “British to Hollywood” Double Feature: Start with Bedazzled and then jump straight to 10 to see the shift from cult British satire to glossy American stardom.
• “Family & Feelings” Marathon: Like Father Like Son, Six Weeks, and Santa Claus: The Movie for a softer, more sentimental Moore experience.

Another recurring fan experience is introducing younger viewers to Dudley Moore for the first time.
Someone in their twenties might recognize the general premise of a body-swap comedy or a messy romantic lead, because those tropes are still everywhere,
but Moore’s specific flavor of humor – self-mocking, slightly rumpled, and genuinely warm – feels fresh compared to today’s more cynical style.

Even his weaker films offer value for fans of movie history.
Watching something like Best Defense or Arthur 2 with the context of studio rewrites, shifting trends, and the pressure to repeat past success can be oddly fascinating.
You see not just the finished movie, but the industry forces swirling around it – and in the middle of it all, Moore doing his best to land another laugh.

In the end, making your way through every major Dudley Moore film is less about checking boxes and more about getting to know a particular comic sensibility.
By the time you reach the bottom of the rankings, you’ve watched a shy British jazz pianist evolve into an international comedy star,
experiment with genres, and keep finding new ways to make people laugh.
That journey – uneven, surprising, and often delightful – is exactly why fans keep ranking, rewatching, and recommending his movies today.