Table of Contents >> Show >> Hide
- What Savadi Maison Is (and Why It Feels Different)
- A Tour of the Space: Marais Minimalism Meets Craft
- The Objects: What You’ll Find on the Shelves
- The Fashion Crossover: Karim Hadjab and the Art of “Re-Making”
- Why Handmade Matters Right Now (Beyond the Aesthetic)
- How to Shop Savadi-Style (Even If You’re Not in Paris)
- Make It a Marais Moment: Pair Savadi with Other Stops
- Decorating with Savadi Energy: Styling Ideas That Don’t Feel Forced
- FAQ: Quick Answers Before You Go “Full Handmade”
- Conclusion: A Shop That Makes Shopping Feel Human Again
- Shopper’s Diary Addendum: 24 Hours of Handmade Hunting in Le Marais (A 500-Word Experience Boost)
Paris has plenty of places to buy things you don’t need (bonjour, keychain Eiffel Towers). But every once in a while,
you find a shop that makes you want to slow down, touch everything gently, and whisper, “I will cherish you forever,”
to a handblown glass tumbler like it’s a rom-com meet-cute.
Enter Savadi Maison, a Marais stop that treats shopping less like a sprint and more like a small, sensory
vacation. Think: handmade home goods with global origins, honest materials, and the kind of “human hand” energy that makes
mass-produced objects look a little… emotionally unavailable.
This is the kind of place where you don’t just buy a cutting boardyou buy the story of the wood, the maker, the technique,
and the quiet confidence of something designed to last. If your home has been begging for soul (or at least for fewer
plastic things), Savadi Maison speaks your language.
What Savadi Maison Is (and Why It Feels Different)
Savadi Maison was founded by Katja Anger and launched as a line of home goods made with exceptional craftspeople
around the world, selected and developed with a Paris-based team. The shop opened in Le Marais in July 2018
and shared space with clothing designer Karim Hadjaba pairing that makes sense once you realize both are
interested in the same mission: fewer, better, more meaningful objects.
The store’s north star is slow consumption: reconnecting objects to makers and cultural context, and letting
customers discover craft traditions without the pressure to “add to cart” in under 12 seconds. In other words, it’s retail
therapy that doesn’t require a recovery period.
A Shop Built for “Pause”
Some stores are designed to move you along. Savadi Maison is designed to invite the opposite. You’ll notice it in the
pacing of the displays, the breathing room between objects, and the calm that comes from pieces that don’t scream for attention.
They don’t have to. They’re already interesting.
A Tour of the Space: Marais Minimalism Meets Craft
One of the most memorable details is the store’s anchoring “table,” a DIY setup made from concrete blocks
topped with a tatami mat. It’s humble, clever, and quietly beautifullike the store is telling you,
“We could have bought a fancy display table, but we’d rather invest in the actual makers.”
The overall look leans pared back: natural textures, functional forms, and a gentle nod toward the Japanese idea
of appreciating imperfection and simplicity (the vibe often associated with wabi-sabi). Nothing feels staged.
Everything feels lived-in, ready-to-use, and oddly comfortinglike a well-worn linen napkin that’s seen both holidays
and Tuesday-night sandwiches.
The Objects: What You’ll Find on the Shelves
Savadi Maison’s selection reads like a passport stamped by artisans: handmade goods that cover tableware, textiles, glass,
and small sculptural surprises. Here are a few highlights that capture the spirit of the shop.
1) Japanese-Inspired Cookware That’s Actually Used (Not Just “Styled”)
On display, you might spot enamel-coated cast iron casserole pots from a Japanese company, presented like
functional sculpture. The point isn’t preciousnessit’s everyday beauty. These are the kinds of pieces that can move from
stovetop to table without apologizing for being practical.
2) Wooden Boards with Real “Keep Forever” Energy
If you’ve ever owned a flimsy cutting board that warped after one aggressive rinse, you’ll understand why Savadi’s selection
of wooden boards feels like a love letter to durability. The emphasis is on honest materials and craftsmanshipwood pieces
that look better with age, like they’re slowly collecting kitchen memories.
3) Textiles That Don’t Try Too Hard (Because They Don’t Need To)
Savadi Maison leans into textiles with a clear preference for traditional techniques and natural materials. You’ll see
handwoven cushions and linens that feel grounded, not fussymore “quiet luxury” than “look at me, I’m a decorative pillow
with trust issues.”
One standout category: mohair and wool blankets made by master craftspeople in Spain using long-standing
traditional methods. These pieces aren’t chasing trends. They’re chasing warmth, comfort, and the satisfaction of owning
something that won’t pill into oblivion by next winter.
4) Glassware with a Past Life (and a Brighter Future)
Handblown glass made from recycled glass is part of the Savadi story, including pieces from Paris studio
La Soufflerie, known for glassware inspired by old-world forms. The charm is in the subtle variations:
tiny bubbles, soft curves, and the unmistakable feeling that a personnot a machinemade the decisions.
5) Small Sculptural Pieces That Make You Smile
Savadi Maison also features objects that aren’t strictly “necessary” (but neither is joy, and yet here we are).
Think handmade figurative pieceslike a whimsical guinea fowl crafted by artisanssmall enough to perch
on a shelf, strange enough to start conversations, and charming enough to feel like a talisman.
The Fashion Crossover: Karim Hadjab and the Art of “Re-Making”
Sharing space with Savadi Maison, designer Karim Hadjab is known for repurposed garmentsworking with
existing clothing rather than producing new. This is the fashion version of “use what you have,” but elevated.
A particularly poetic detail: he has been known to source deadstock French workwear from the 1950s and
transform it using natural dyeing techniques and environmental forcessun, wind, rain, earthcreating
pieces that feel like they’ve been weathered into uniqueness. It’s clothing as collaboration with nature, which is a
sentence that sounds dramatic until you see the results and realize: yes, actually, it works.
Why Handmade Matters Right Now (Beyond the Aesthetic)
“Handmade” gets used as a marketing glitter-bomb sometimes. But at its best, handmade is a real-world shift in values:
craftsmanship, fair labor, cultural continuity, and materials that age with dignity instead of breaking with enthusiasm.
Handmade as an Antidote to the Over-Automated World
There’s a reason craft is having a moment. When so much of modern life is frictionless and fast, handmade objects
reintroduce textureliteral and emotional. You can feel the difference in weight, finish, and tiny irregularities.
Those “imperfections” are the receipts that prove a human was here.
Slow Consumption Is a Practical Strategy
Buying fewer items of higher quality is not just a style preferenceit’s a sustainability strategy. Durable goods reduce
replacement cycles. Thoughtful materials reduce waste. And objects with stories are less likely to end up in the donation
bin during your next “I’m reinventing myself” cleaning spree.
Supporting Makers Can Strengthen Communities
Artisan economies aren’t just romanticthey’re real. Organizations that support makers (including women artisans globally)
emphasize training, market access, and fair business practices. The big idea is simple: when craft becomes sustainable,
traditions don’t disappearand makers can keep making.
How to Shop Savadi-Style (Even If You’re Not in Paris)
You don’t have to be physically in Le Marais to adopt the Savadi mindset. Here’s how to bring the “handmade emporium”
approach into your own shopping lifewithout turning into the person who lectures friends about glaze formulas at dinner.
Ask Better Questions
- Who made it? (Name, region, workshopanything specific beats “artisan-made.”)
- What’s the technique? Handblown, handwoven, naturally dyed, forged, wheel-throwndetails matter.
- How does it age? Patina is not a flaw; it’s a feature with a timeline.
Buy One “Anchor” Piece at a Time
If you’re trying to shift your home toward handmade, start with one category: a blanket, a set of tumblers, a serving bowl,
or a cutting board. Live with it. Notice how it changes your daily rituals. Then build slowlylike you’re curating a home,
not speedrunning a catalog.
Care Is Part of the Deal
Handmade objects often reward basic care: oiling wood, avoiding thermal shock for glass, gentle washing for textiles.
The upside? You keep the piece longerand you develop that quiet pride of someone who knows how to maintain a wooden board
like it’s a tiny piece of furniture (because it is).
Make It a Marais Moment: Pair Savadi with Other Stops
The Marais is one of those Paris neighborhoods where wandering is the main activityand shopping just happens along the way.
If you’re building a design-minded itinerary, treat Savadi Maison as your “slow stop,” then balance it with a few classic
Marais experiences.
Ideas for a Design-Forward Route
- Start with a concept store (the Marais is famous for them) to calibrate your “Paris tastebuds.”
- Then go small and handmadeSavadi Maison is perfect for this reset.
- Finish with vintage hunting if you want that one-of-a-kind thrill without buying new.
Pro tip: if you’re visiting in real life, always check current hours and locations before you goParis changes, and
independent shops are living organisms, not museum exhibits.
Decorating with Savadi Energy: Styling Ideas That Don’t Feel Forced
Handmade pieces can look intimidating in a home that’s mostly IKEA and “miscellaneous online purchases at 1 a.m.”
(No shameyour cart was simply pursuing happiness.) The trick is to let handmade pieces lead gently, not dominate.
Try These Easy, High-Impact Moves
- One handmade object per surface: a bowl, a vase, a candleholderthen leave breathing room.
- Repeat natural textures: pair wood with linen, glass with wool, ceramics with stone.
- Choose quiet colors: neutrals, earth tones, inky blackslet texture do the talking.
- Embrace asymmetry: handmade looks best when it’s not arranged like a marching band.
FAQ: Quick Answers Before You Go “Full Handmade”
Is handmade always sustainable?
Not automatically. Handmade is a great sign, but sustainability depends on materials, shipping, durability, and fair labor.
Look for transparency and choose pieces built to last.
How do I avoid buying “handmade-looking” mass production?
Ask for specifics: maker details, techniques, small-batch production notes, and real care instructions. Vague storytelling
is a red flag. Real craft usually comes with real details.
What’s the easiest category to upgrade first?
Textiles and tabletop are friendly starting points: a blanket, hand towels, tumblers, a serving bowl. You’ll feel the upgrade
daily without redesigning your entire home.
Conclusion: A Shop That Makes Shopping Feel Human Again
Savadi Maison is more than a pretty stop in Paris. It’s a reminder that objects can carry culture, skill, and timeif we let
them. In a world of fast everything, a shop devoted to handmade craft isn’t just charming; it’s quietly radical.
Whether you visit in person or simply borrow the philosophy, the takeaway is the same: buy less, choose better, care more,
and let your home tell a story that isn’t 100% made of algorithmic recommendations. (Your shelves deserve a personality.)
Shopper’s Diary Addendum: 24 Hours of Handmade Hunting in Le Marais (A 500-Word Experience Boost)
Imagine you’re doing Paris the way it’s meant to be done: not with a checklist, but with comfortable shoes and a willingness
to get a little lost on purpose. The morning starts in the Marais with the kind of light that makes even a plain doorway look
like it belongs in a fashion editorial. You grab something warm to drink, because caffeine is basically the official currency
of walking cities, and then you do the most Parisian thing possible: you wander with no urgent plan.
The Marais is perfect for this. It’s a neighborhood that rewards curiosityturn a corner and you’ll find a courtyard, a small
gallery, a shop window that makes you stop mid-step like you’ve forgotten how legs work. The energy is busy but not frantic:
people browsing, chatting, carrying small bags that suggest good taste and mild financial irresponsibility.
Then you step into a store like Savadi Maison and everything slows down. The air feels quieter. Your eyes adjust from “street
scanning” to “object noticing.” Suddenly you’re looking at surfaces: the grain of wood, the soft irregularities in glass, the
weave of textiles that don’t feel factory-flat. You realize you’ve been living with so many perfectly identical objects that
you forgot how satisfying variation can be. One tumbler has a slightly different curve than the nextand instead of bothering
you, it feels comforting. Like the object is saying, “Hi, I’m real.”
You circle the space the way people do in museums, except here you’re allowed to actually imagine using the art. You picture a
heavy casserole pot moving from stove to table. You picture a wool blanket surviving not only winter, but also the weird
in-between months when your home can’t decide if it’s cozy or sweaty. You pick up a piece of glassware and notice how the light
passes through ittiny bubbles catching the glow like trapped, polite fireworks.
The best part is the mental shift. You stop thinking in “hauls” and start thinking in “anchors.” Instead of buying ten things
that will blend into the background, you want one thing that changes the room. One object that makes the everyday feel a little
more intentional: a handblown vase on the table, a woven towel in the kitchen, a wooden board that doesn’t warp after one
dramatic rinse.
By the time you step back outside, the neighborhood feels different too. You notice materials in the city itselfstone,
ironwork, old wood doorslike Savadi trained your eyes to see craft everywhere. That’s the sneaky magic of places devoted to
handmade goods: they don’t just sell you objects. They upgrade your attention.
And later, when you’re back wherever “home” is, you’ll unpack something smallmaybe glassware, maybe a textile, maybe a
quietly beautiful object you didn’t know you neededand it won’t feel like a souvenir. It will feel like proof that you slowed
down long enough to choose something made with care. Paris in object form. No keychain required.
