Movies are great at making us laugh, cry, and buy overpriced popcorn. They’re also spectacular at teaching us things that are completely, gloriously wrong. Hollywood’s job isn’t to give you a physics lecture or a medical degree; it’s to keep you glued to your seat. The problem is that some of those cinematic “facts” sneak into our brains and sit there like they own the place.

From whisper-quiet gunshots to deadly quicksand, the big screen has filled our heads with myths that just don’t hold up in real life. This list dives into ten of the biggest lies movies have taught us, why they’re wrong, and what’s actually happening behind the scenes. Think of it as movie night, but with a fact-checker and a slightly nerdy friend pausing to say, “Okay, that’s not how that works.”

1. Silencers Make Guns Whisper-Quiet

The Movie Version

In spy thrillers, a character screws a suppressor onto a pistol, fires in a crowded building, and somehow no one hears anything except a soft “phfft.” Assassins stroll away, targets drop silently, and even the guy three feet away apparently has the hearing of a houseplant.

The Reality

Real suppressors do not turn guns into stealth weapons. They lower the volume of a gunshot by roughly 20–30 decibels, which is a big help for hearing protection but still leaves the sound in the range of a jackhammer or loud concert. A suppressed firearm can easily reach 120 dB or moreloud enough that everyone in the next room is going to notice and probably duck. Suppressors mainly reduce muzzle blast, tame recoil a bit, and make follow-up shots more manageable. They don’t erase the supersonic crack of a fast-moving bullet, and they definitely don’t let you fire a dozen rounds unnoticed in a subway car. The “movie silencer” exists, but only in the sound editor’s imagination.

2. Defibrillators Can Shock a Flatline Back to Life

The Movie Version

You’ve seen this scene a hundred times: the heart monitor flatlines, everyone panics, and a doctor shouts “Clear!” They zap the patient with a defibrillator, the body jumps, and the flatline magically turns into a strong, steady heartbeat. Cue the emotional music and relieved sobbing.

The Reality

That flatline moment is dramaticbut medically wrong. Defibrillators don’t “restart” a heart that has no electrical activity. They’re designed to correct certain abnormal rhythms, like ventricular fibrillation or pulseless ventricular tachycardia, by delivering a controlled shock to reset chaotic electrical signals. When the heart is in asystole (a true flatline), there’s nothing to reset. In real life, medical teams focus on high-quality CPR, medications, and addressing the cause, not zapping every flatline like it’s a dead car battery. Survival rates after cardiac arrest are also much lower than TV suggests, which means those miraculous bounce-backs on screen give the public a very skewed idea of how often CPR and defibrillation actually work.

3. CPR Almost Always Works and Looks Neat and Tidy

The Movie Version

On TV, CPR is quick, clean, and almost always successful. A few chest compressions, maybe a couple of breaths, and the person coughs dramatically and starts chatting like they just woke up from a nap. The hero’s hair is perfect, nobody breaks a sweat, and there’s rarely any long-term damage.

The Reality

Real CPR is exhausting, messy, and far from guaranteed to work. Proper chest compressions are deep, fast, and continuous, often requiring rescuers to rotate because they get tired. Ribs can crack, people may vomit, and the process can go on for many minutes with no dramatic “wake up” moment. Survival rates outside of hospitals are much lower than what TV suggests, and even when people do survive, they may have serious complications. The cinematic version turns a complex, physically demanding emergency procedure into a tidy, almost magical fixand that can create dangerous misconceptions about what bystanders and medical professionals can realistically do.

4. Chloroform Knocks People Out in Seconds

The Movie Version

A shady character sneaks up behind someone, presses a rag over their face, and within three seconds the victim goes limp like a dropped marionette. No struggling, no coughing, no lingering side effectsjust instant, convenient unconsciousness and a tidy kidnapping.

The Reality

Chloroform doesn’t work like a magic “off” switch. It’s a powerful, outdated anesthetic that can damage the heart and liver, and it takes several minutes of continuous inhalation at the correct concentration to render someone unconscious. In real life, the victim would cough, struggle, and possibly fight to get away. There’s also a serious risk of overdose, respiratory failure, and sudden deathhardly the clean, reversible nap movies suggest. That’s why chloroform is no longer used in modern medicine as an anesthetic, and why the “rag and instant blackout” trope is firmly in the fiction category.

5. Quicksand Will Suck You Under to Your Doom

The Movie Version

For decades, movies taught us that quicksand is lurking everywhere, waiting to swallow you whole while your friends stand on solid ground screaming your name. Characters sink to their shoulders in seconds, wave goodbye, and disappear forever under the surface.

The Reality

Quicksand is real, but it’s not a hungry monster. It’s a mix of sand, water, and sometimes clay that behaves like a thick, soupy fluid when disturbed. You can sink in, but because the human body is less dense than quicksand, it’s extremely unlikely you’d go completely under. The real danger is getting stuck and exhausted, not being sucked into some sandy abyss. Studies and field observations show that while quicksand can trap you, patience, slow movements, and buoyancy (lying back) can help you escape. Movies turned a tricky natural phenomenon into a childhood nightmareand seriously overhyped the risk.

6. Hiding Behind Cars and Couches Stops Bullets

The Movie Version

Action heroes dive behind car doors, wooden tables, or drywall and somehow become completely bullet-proof. Entire gunfights are staged around people popping up from behind a sofa like it’s made of vibranium instead of MDF and foam.

The Reality

Most “cover” you see on screen would be shredded in real life. Standard handgun and rifle rounds can punch through car doors, couches, interior walls, and office furniture with uncomfortable ease. Real tactical training distinguishes between cover (which stops bullets) and concealment (which just hides you). Many of the objects movies use as magical shields are, at best, concealment. If you want serious protection in real life, you’d need thick concrete, ballistic materials, or an engine blocknot a flimsy partition in an open-plan office.

7. Cars Explode at the Slightest Provocation

The Movie Version

A car rolls down a hill, gets nudged in a fender-bender, or takes a single bullet, andBOOMinstant fireball. Heroes walk away in slow motion while an entire parking lot detonates behind them like an action-movie fireworks show.

The Reality

Cars can catch fire in crashes, but full-on cinematic explosions are rare and require just the right (or wrong) set of conditions. Fuel tanks are designed to be relatively safe, and gasoline doesn’t explode just because a bullet touches it; it needs vapor, oxygen, and an ignition source. Real crash investigations often find smoldering fires, not towering orange mushroom clouds. Explosions do happenespecially in high-speed, high-impact wrecks or in specialized situationsbut not with the casual regularity Hollywood implies. Much of what you see is carefully staged pyrotechnics and special effects, not a realistic representation of everyday car physics.

8. Nuclear Blasts Are Mostly a Big Flash and Some Wind

The Movie Version

In many films, a city gets nuked, we see a distant mushroom cloud and a gust of wind, and then… everyone seems fine a few miles away. Characters drive through eerily quiet streets, maybe cough once or twice, and that’s about it. Fallout, radiation sickness, long-term environmental damage? Barely a subplot.

The Reality

A real nuclear detonation is catastrophically more destructive than most films admit. Beyond the initial blast and thermal radiation, there’s intense ionizing radiation, fires, infrastructure collapse, contaminated water and soil, and long-term health effects like cancer. Fallout patterns depend on altitude, weather, and yield, but they can spread hazardous material over huge areas. Depicting nuclear explosions as mostly a dramatic backdrop without showing the full humanitarian and environmental consequences makes them look oddly “manageable,” which is wildly misleading.

9. Hackers Can Do Anything in 30 Seconds

The Movie Version

A lone genius in a hoodie types furiously on a glowing keyboard, green code waterfalls down the screen, andbamthey’ve broken into the Pentagon, rerouted satellites, and transferred $5 million into a random account before their coffee gets cold.

The Reality

Real-world hacking is usually slower, more methodical, and much less cinematic. It often involves weeks or months of reconnaissance, phishing emails, exploiting known vulnerabilities, and patiently waiting for someone to slip up. Many attacks don’t require elite “superhackers” as much as they require poor passwords, outdated software, or someone clicking a suspicious link. Also, modern systems have logs, alerts, and security teams monitoring traffic; it’s not as simple as “smash the keyboard until the firewall surrenders.” The Hollywood version compresses complex, boring technical work into 30 seconds of dramatic typing because watching someone read documentation for hours doesn’t test well with audiences.

10. Getting Knocked Out Is Like Taking a Short Nap

The Movie Version

Characters get punched, hit with a bottle, or whacked with a blunt object, instantly fall unconscious, and then wake up later with nothing more than a minor headache and maybe a witty remark. It’s treated as a harmless way to pause someone, like hitting a “sleep” button.

The Reality

Unconsciousness from head trauma is a serious medical emergency, not a convenient plot device. A knockout often means the brain has been violently shaken inside the skull, which can cause concussion, internal bleeding, or long-term neurological damage. People might vomit, be confused, lose memory, or not wake up at all. Repeated blows make things even worse. In reality, if someone passes out after a hit to the head, the correct next move is an emergency room, not tying them to a chair and waiting for them to wake up for a dramatic interrogation.

Why These Movie Lies Actually Matter

It’s easy to shrug all this off with, “Relax, it’s just entertainment.” And yes, movies are allowed to bend the rules of physics to create a good story. But some of these myths creep into the way people think about emergencies and risk. If you genuinely believe CPR is almost always successful, or that a defibrillator can zap any flatline back to life, you’ll have unrealistic expectations during real medical crises. If you think a couch will protect you from bullets, you may badly misunderstand what “cover” means in a dangerous situation.

On the flip side, understanding the truth can actually make movies more fun. Once you know how far a scene is stretching reality, you can appreciate the craftsmanship behind the illusionand enjoy rolling your eyes at the wildest moments.

Bonus: What It’s Like to Realize Movies Have Been Lying to You

Most of us first meet these myths when we’re kids. Maybe you grew up convinced quicksand was a top-five life threat, right next to sharks and evil stepmothers. You watched heroes leap over laser grids, shake off concussions, and hide behind car doors while bullets flewand you just assumed that’s how the world worked.

Then at some point, reality quietly taps you on the shoulder. Maybe you take a basic CPR course and realize the instructor spends half the time un-teaching everything you “learned” from TV. You discover that survival rates are much lower than you thought, that defibrillators don’t shock flatlines, and that CPR is exhausting. Suddenly, those triumphant “he’s back!” scenes feel a lot more like fantasy than inspiration.

The same thing happens with movie gunfights. If you’ve ever been to a shooting range or talked to someone with firearms training, you quickly learn that recoil, noise, and accuracy are huge factors. A suppressed gun is still painfully loud. You can’t fire endlessly without reloading. And no, you shouldn’t expect a car door or a couch to save you. Once you know this, action scenes stop looking like realistic battles and start looking like highly choreographed stuntswhich, to be fair, is exactly what they are.

Discovering the truth about chloroform is another eye-opener. That classic “rag over the face, instant sleep” gag has been used so often in films that it feels almost normal. Learning that it would actually take minutes of exposure, with serious risks of death and organ damage, can be genuinely unsettling. You start to realize how often movies turn dangerous or tragic realities into cute story shortcuts.

Even the nuclear stuff hits differently once you read about real-world scenarios. Movies that show a nuke as a kind of giant flashbang downplay the long-term horrorfallout, radiation, medical crises, environmental damage. Understanding the real stakes makes those scenes feel less like cool spectacle and more like a reminder of why nuclear weapons are so terrifying in the first place.

Oddly enough, this doesn’t ruin movies; it just changes how you watch them. You stop expecting accuracy and start spotting tropes. “Ah yes, the loudest ‘silent’ silencer ever recorded.” “There’s the instant chloroform knockout.” “Here comes the miracle CPR save at the exact last second.” Spotting these patterns becomes a kind of game, and you can still love the story while respecting the science and reality behind it.

In a way, the best movie-watching experience lives in the middle: enjoy the spectacle, laugh at the nonsense, and also know enough about the real world that you’re not fooled by clever sound design and dramatic editing. Movies will probably keep lying to usbut we don’t have to be gullible about it.

Conclusion

Hollywood has given us unforgettable storiesand some seriously persistent myths. From magically quiet gunshots to heroic CPR saves and overdramatic quicksand, the big screen bends reality whenever it serves the plot. That’s not a crime; it’s part of the craft. But understanding where the fiction stops and the real world begins makes you a smarter viewer and a better-informed human.

So keep watching, keep enjoying, and maybe the next time a movie shows a car exploding from a single bullet, you can smile and think, “Nice try, Hollywood.” After all, the truth might not always be as flashybut it’s far more interesting once you know it.

The post 10 Times Movies Taught Us Big Lies appeared first on Everyday Software, Everyday Joy.

Humanity has spent centuries writing epic poetry, discovering galaxies, and inventing indoor plumbing…
and then, every so often, someone decides to test a “stab-proof” jacket on themselves or prove that a
skyscraper window is unbreakable using their own body. These are the moments when the universe quietly
whispers, “Really?”

In the spirit of classic Listverse-style rankings, this roundup looks at ten of the most absurd and
idiotic deaths ever recorded real events involving famous historical figures, daredevils, and
ordinary people who made catastrophically bad decisions. The goal isn’t to mock tragedy, but to
highlight how a mix of ego, curiosity, and terrible risk assessment can end in the most unbelievable
ways. Think of this as a darkly funny public service announcement: learn from them, don’t join them.

1. The Playwright Taken Out by a Falling Tortoise

Who he was

Aeschylus was one of ancient Greece’s most important playwrights, often called the “father of
tragedy.” His serious dramas shaped classical theater and influenced writers for centuries. You’d
expect a man like that to have a suitably dignified departure from this world.

What happened

According to later accounts, Aeschylus died when an eagle dropped a tortoise on his bald head,
apparently mistaking it for a rock. Eagles are known to crack shells by dropping them from a height.
Unfortunately for Aeschylus, he was in exactly the wrong place at exactly the wrong time serving as
a one-man landing pad for airborne reptile artillery.

Why it’s absurd

Aeschylus wrote about grand themes like fate and the gods, only to be killed by a bird with terrible
aim. It’s a textbook example of how reality can out-weird any fictional plot twist and a reminder
that “death from above” is sometimes less heroic and more… zoological accident.

2. The Philosopher Who Literally Died Laughing

Meet Chrysippus

Chrysippus was a Stoic philosopher, famed for his logic and discipline. Stoicism is all about keeping
your cool. Ironically, the most famous story about him involves losing control in the most extreme way
possible.

The fatal joke

Ancient sources claim that Chrysippus died from uncontrollable laughter. One version of the story says
he gave his donkey wine, watched it try to eat figs, and found the spectacle so hilarious he fell into
a prolonged laughing fit, collapsed, and never recovered.

Why it’s absurd

Dying from laughter sounds like a cartoon gag, but cases of extreme laughter triggering heart or
breathing problems do exist. Still, going out because you overreacted to a drunk donkey snack show has
to be one of history’s most unintentionally slapstick exits. For a Stoic, it’s the ultimate break in
character.

3. The King Who Ate Himself to Death

Gluttony at royal scale

Adolf Frederick, an 18th-century king of Sweden, is widely remembered not for political triumphs but
for the most infamous meal in European history. He loved food, and on one February day in 1771, he
went all-in on that passion.

The last supper (times ten)

Historical accounts describe a feast of shellfish, fish, and sauerkraut, all washed down with copious
drinks. The grand finale: an estimated fourteen servings of semla, a rich cream-filled pastry
traditionally eaten before Lent. Not long after this culinary marathon, the king suffered fatal
digestive complications.

Why it’s absurd

Most people are told to “enjoy in moderation.” Adolf Frederick took that advice, tore it into pieces,
dipped it in cream, and ate it for dessert. The story now lives on as a cautionary tale about excess:
just because you can order another round doesn’t mean your body will co-sign the decision.

4. The Composer Killed by His Own Conducting Stick

The man behind the music

Jean-Baptiste Lully, a 17th-century composer working in the court of Louis XIV, helped shape French
Baroque music. He was a star in the royal cultural scene imagine being the favorite playlist of the
Sun King.

The bizarre accident

Conductors today use lightweight batons. Lully used a long wooden staff that he pounded on the floor
to keep time. During a performance celebrating the king’s recovery from illness, he struck his own foot
by accident. The wound became infected, and he refused amputation because he didn’t want to lose his
ability to dance. The infection spread, and he died.

Why it’s absurd

Lully’s death was a mix of bad luck, primitive medicine, and stubborn pride. He literally died from a
self-inflicted metronome injury. It’s a grim reminder that ignoring medical advice because of image or
vanity can turn a small mishap into a fatal one.

5. The Legendary Detective Undone by a Tongue Bite

Pinkerton’s paradox

Allan Pinkerton, founder of the famous Pinkerton Detective Agency, spent his life investigating crime,
foiling plots, and helping to protect powerful people. If anyone seemed destined for a dramatic,
thriller-worthy ending, it was him.

The ordinary accident with deadly consequences

Instead, Pinkerton reportedly slipped on a sidewalk, bit his tongue badly, and developed a serious
infection. Before antibiotics, even relatively small injuries could spiral into lethal complications.
The infection spread, leading to his death.

Why it’s absurd

It feels almost satirical: a man who dodged bullets and danger is ultimately killed by an injury that
sounds like something you’d shake off after a clumsy moment. The story underscores how, in some eras,
mundane accidents were as deadly as any criminal mastermind.

6. The Lawyer Who Tried to Prove a Window Was Unbreakable

The stunt

In the 1990s, Toronto lawyer Garry Hoy became infamous for a demonstration gone horribly wrong. He was
known to impress visitors by slamming his body into the glass of his high-rise office building to show
how strong and “unbreakable” the windows were.

The final demonstration

On one of these demonstrations, he hurled himself at the glass in front of a group of students. The
glass itself held but the entire window frame popped out. Hoy fell from the 24th floor to his death.

Why it’s absurd

The glass did exactly what it was supposed to do. The building’s design around it did not. Hoy’s death
has become a textbook example of overconfidence: just because you’ve “done this a hundred times” doesn’t
mean physics won’t eventually file a complaint.

7. The Jet Ski Daredevil Who Took on Niagara Falls

The big idea

Daredevils have been trying to conquer Niagara Falls for over a century. In the mid-1990s, Robert
Overacker attempted to ride a jet ski over the falls to raise awareness for homelessness. The plan:
ride off the edge, deploy a rocket-assisted parachute, and float to safety while making a statement.

How it went wrong

Overacker sped toward the brink, launched off the falls and his parachute failed to deploy properly.
He plunged into the churning water below and did not survive. Witnesses, including his own family,
were left watching a stunt that turned into a tragedy in seconds.

Why it’s absurd

Attempting one of the most dangerous stunts imaginable with your life depending on a single device is
already risky. Doing it near one of the most powerful waterfalls on Earth turns the whole plan into a
grim reminder that physics doesn’t care about your cause, your courage, or your good intentions.

8. The Burglar Who Got Stuck in a Chimney

The failed shortcut

In California, a would-be burglar tried to enter a home through the chimney a choice that sounds like
a bad holiday cartoon plot. Instead of slipping in and out unnoticed, he became hopelessly wedged in the
tight brick shaft.

The tragic ending

The homeowner, unaware that anyone was inside the chimney, later lit a fire in the fireplace. Smoke and
heat built up. By the time firefighters arrived and discovered the intruder, it was too late. The
attempt at stealth had turned into a deadly trap.

Why it’s absurd

Chimneys are not endorsed entrances in any practical burglary guide. The combination of a bad plan, no
escape route, and ordinary homeowner behavior created a situation that feels simultaneously foolish and
chilling. It’s a reminder that crime plus improvisation rarely ends well.

9. Death by Vending Machine

Shaking the snack dispenser

We’ve all been there: you feed a vending machine your last dollar, the snack gets stuck, and your inner
Hulk quietly awakens. Some people give the machine a little shake. Others go full wrestling match with
a 1,000-pound metal box.

When frustration turns fatal

Safety investigations in the United States have documented dozens of deaths and many more injuries from
vending machines tipping over. The victims were often rocking or tilting the machine to free a stuck
drink or grab extra products when the whole unit toppled onto them.

Why it’s absurd

The idea that you’re statistically more likely to be killed by a vending machine than by certain
high-profile dangers has become an internet meme for a reason. The underlying truth is simple: gravity
plus heavy metal box beats human frustration almost every time. No snack is worth getting flattened.

10. The Homeowner Killed by His Own Booby Trap

The DIY security system

In Maine, a 65-year-old homeowner, frustrated by past break-ins, decided to take security into his own
hands. Instead of relying on alarms and locks, he rigged his front door with a homemade device designed
to fire a handgun at anyone opening it without authorization.

The fatal misfire

One night, the device went off and the person it shot was the creator himself. He triggered his own
trap entering the home, suffering fatal injuries. Authorities later found additional improvised devices
inside and had to call in specialists to make the scene safe.

Why it’s absurd

DIY projects are great for building shelves, not for reinventing booby traps. This case turned a
homeowner’s fear and frustration into a lethal game of “gotcha” that ended with exactly the wrong
victim. It’s a dark reminder that trying to outsmart danger with homemade weapons can be far more
dangerous than the threat you’re trying to stop.

What These Absurd Deaths Have in Common

The deadly formula: ego, denial, and bad risk math

Across centuries and continents, these ridiculous deaths share a familiar pattern:

• Overconfidence: From kings and philosophers to lawyers and daredevils, people
  repeatedly underestimated the risks they were taking.
• Everyday hazards: Many of these deaths involved ordinary objects food, windows,
  musical instruments, household devices that became lethal in the wrong context.
• Ignoring warnings: Medical advice, safety labels, and basic common sense were often
  dismissed until it was too late.

There’s an undeniable streak of dark comedy running through these stories, but they’re also stark
reminders that even smart, accomplished people can make catastrophically bad choices. The universe is
pretty good at exploiting our blind spots.

A morbid but useful takeaway

The uncomfortable lesson? You don’t have to be foolish all the time just once in a big enough way
for things to go permanently wrong. Wearing seat belts, respecting safety rules, checking equipment,
listening to doctors, and maybe not testing glass with your face are all boring habits that quietly
save lives.

Laugh at these stories if it helps you remember them, but let them nudge you toward better decisions.
The best way to enjoy tales of absurd deaths is from a safe distance, preferably while not doing
anything that would get you featured in the next list.

Bonus: Experiences and Lessons from Absurd, Idiotic Deaths

When you read about someone being crushed by a vending machine or falling out of a skyscraper window
while “proving a point,” it’s tempting to treat the story as pure entertainment. But if you dig just a
little deeper, these deaths function almost like case studies in how human judgment fails and how we
can do better in everyday life.

First, there’s the problem of invincibility bias. People who repeatedly “get away with
it” start to believe they’re special. Garry Hoy had slammed into those windows before, and each
successful stunt probably reinforced the illusion that nothing could go wrong. Many of us do a milder
version of the same thing: texting at red lights, speeding because we’ve never crashed, skipping
checkups because we “always feel fine.” These absurd deaths are extreme, but they’re on the same
psychological spectrum as the small risks we normalize.

Second, these stories show how badly we handle low-probability, high-impact events.
Nobody expects “biting your tongue” or “eating one more dessert” to be life-threatening. The king who
overate and the detective who died from an infected injury were operating with the same assumption many
of us have: if something is common or seems minor, it can’t be that dangerous. Modern medicine and
better emergency care have reduced those risks, but they haven’t eliminated them. It’s still worth
treating your body like it has to last a while.

Third, there is a very modern theme: DIY overreach. From homemade security traps to
risky stunts for attention or activism, a lot of people in these stories decided that expert advice,
regulations, and boring safety standards were optional. That attitude shows up today when people
attempt extreme selfies on cliff edges, climb forbidden structures for social media, or build
improvised “solutions” with power tools and explosives. The line between “creative” and “reckless” is
much thinner than it feels in the moment.

These absurd deaths also highlight something uncomfortable about us as observers: we’re drawn to them
because they’re morally tidy. A person does something obviously foolish; consequences
follow immediately. It feels like the universe enforcing a simple rule: “Don’t be an idiot.” Real life
is usually messier than that, but stories like these scratch the itch for cosmic justice. The danger is
that we focus so much on laughing at the victims that we forget we’re capable of smaller-scale
versions of the same mistakes.

A healthier approach is to treat each absurd death as a kind of mental safety drill. Ask simple,
practical questions: “What am I currently doing in my own life that depends on everything going
perfectly?” “Where am I assuming I’ll ‘figure it out’ even though I haven’t planned a backup?” “What
hazards am I treating like a joke because everyone else does?” Those questions are not as exciting as
reading about drunk donkeys and stunt jet skis, but they’re the ones that keep you out of the sequel.

At the end of the day, the most “Listverse-worthy” thing you can do is read these stories, shake your
head, maybe laugh a little and then quietly, unglamorously, choose the boring safe option in your own
life. Wear the harness. Don’t shake the vending machine. Keep your security system legal and
non-lethal. And if you ever feel the urge to prove something by hurling yourself at a window, just take
a deep breath, step back, and let someone else have the headline.

The post 10 of the Most Absurd and Idiotic Deaths Ever Recorded appeared first on Everyday Software, Everyday Joy.